Lighting People understand that more color in each fixture is better, but it’s not often you get to see all those colors grace your TV screen. This is unequivocally (and appropriately) not true for RuPaul’s Drag Race.
“Our show lives in color palettes that are not common,” says Gus Dominguez,...
Blake Hottle is a freelance Director of Photography/Camera Op whose work has been seen regularly on 60 Minutes, 48 Hours, CNBC Documentaries, and more. On his latest shoot for 60 Minutes, ETC’s new ColorSource Spot jr impressed him. “It’s fast, versatile, and has plenty of power for how we shoot...
For students interested in film, storytelling and fashion, VIA University College in Aarhus, Denmark is an international hub. VIA’s department of Film & Transmedia houses the professional bachelor program Multiplatform Storytelling and Production. Technical Coordinator Thomas Erland Pedersen was...
At Academy Lighting Consultants, founder and president Jeff Engel sticks to a winning formula that gives control to their ten designers and security for their clients: great talent and a deep pool of knowledge.
The Emmy award-winning TV show Red Dwarf recently made a welcome return to UK screens for its twelfth season. Delighting its dedicated fanbase, the latest run of the sci-fi comedy features a striking collection of lighting effects, thanks to some impressive programming by Ziggy Jacobs-Wyburn on...
Downplaying a forty-year career that featured tours with Pink Floyd and a string of Spielberg movies, Brian Lukas calls himself “just a lighting guy.”
A panel of top Eos programmers convened at ETC’s CUE conference for an evening of live-programming war stories, show file strategies and cat memes.
The entertainment industry abounds with “right place at the right time” anecdotes, and lighting designer Tom Beck is the first to admit that he caught a lucky break early in his career.
