Sharon Remartini and Fabio Passerini are two young lighting designers from Italy, specializing in the discipline of dance. Like many of their colleagues, Eos is their preferred console. Their recent work includes a project with the Kataklò athletic dance theatre company, directed by the famous...
Emanuele Agliati and Oscar Frosio are two lighting professionals from Italy with an abundance of experience, especially in the world of musicals. Emanuele is an esteemed lighting designer and co-founder of k5600 Design – an associate studio of lighting designers focusing on visual lighting design...
Leonardo Benetollo is an Italian lighting designer and owner of Pro Service SNC, a company specializing in technical installations for dance and theatre. His talent and experience in the dance arena make him one of the most sought-after professionals in his field. Leonardo has long been linked to...
How do you teach lighting design without any lights? Thanks to the COVID-19 pandemic, educators around the world have had to quickly and creatively shift their classes online. One such story comes from Clemson University in South Carolina, where lighting instructor Tony Penna faced a conundrum...
In this series, guest blogger Cory Pattak discusses Eos show file setup from his perspective as a freelance designer. In this post: Magic Sheets and Pixel Maps
In this series, guest blogger Cory Pattak discusses Eos show file setup from his perspective as a freelance designer. In this post: Effects, Submasters, Presets, Groups, Macros.
In this series, guest blogger Cory Pattak discusses Eos show file setup from his perspective as a freelance designer. In this post: Patch, Color Palettes and Beam Palettes.
In this series, guest blogger Cory Pattak discusses Eos show file setup from his perspective as a freelance designer. This week: Why is it helpful for a designer to show up for tech with their own Eos building blocks? How might a designer start an all-purpose template file that can be used show...
There’s no doubt about it—LEDs are shaking up the industry as we know it. There is a lot to be excited about as venues make the transition from tungsten light sources to LED. One of the largest areas of impact is color capabilities.
