There has been an increase in color in ETC’s Wisconsin offices over the course of the year. White breakrooms are now anything but. The large open space above the shipping department in Middleton’s headquarters building is no longer open. And large white walls are slowing being filled.
Welcome to Eos on Broadway, where we take a look at the behind-the-scenes control that makes a large-scale show tick. In this installment, Eos programmer Scott Kearns Tusing talks about the controls work that went into bringing the musical Anastasia to Broadway.The production opened on April 24th...
Jason Perry has a very cool basement. When he’s not coordinating demos in ETC’s New York office, Perry likes to tinker and invent; the lower level of his Connecticut home is an envy-inducing arcade of old games and coin-operated antiques, including three pinball machines that he’s restored to...
ETC’s Hollywood office has been known to play a competitive, color-matching game with two Source Four LEDs. Pitting two programmers against each other in a fierce, timed battle for iridescent glory, this is a game that hones the skills of even the finest programmers and lighting designers.
Out of Control is a recurring series written by Nick Gonsman of ETC NYC.Each installment aims to shed light on an aspect of the theory and practice of entertainment lighting control. Today’s topic: navigating your Eos Magic Sheets.
This article, written by ETC Entertainment Market Manager Luke Delwiche, first appeared in the Swedish Theatre Technology Association (STTF) magazine, proScen, in 2015. Luke wrote the article after talking to dozens of people who made purchasing decisions based on “white wall shootouts,” which...
