The Emmy award-winning TV show Red Dwarf recently made a welcome return to UK screens for its twelfth season. Delighting its dedicated fanbase, the latest run of the sci-fi comedy features a striking collection of lighting effects, thanks to some impressive programming by Ziggy Jacobs-Wyburn on...
Only in Southern California will a Spanish Mission bell tower share the skyline with an array of Source Four fixtures rigged on telephone poles.
Fall is in the air in Croton-on-Hudson, NY, and the annual Great Jack O’Lantern Blaze event is underway…with thousands of pumpkins powered by a Gio console.
Downplaying a forty-year career that featured tours with Pink Floyd and a string of Spielberg movies, Brian Lukas calls himself “just a lighting guy.”
A panel of top Eos programmers convened at ETC’s CUE conference for an evening of live-programming war stories, show file strategies and cat memes.
The entertainment industry abounds with “right place at the right time” anecdotes, and lighting designer Tom Beck is the first to admit that he caught a lucky break early in his career.
Tony Kushner’s multi-award-winning play, Angels in America recently made a triumphant return to the National Theatre in London, marking 25 years since its UK debut. In this post, Dan Murfin, lighting control manager for the National, talks us through the unusual shared control system behind this...
When the British band Supertramp stopped touring in 1980, they left a legacy more enduring than sold-out arenas and platinum albums on the office wall.
Rob Fritz is delighted with ETC’s recent union with High End Systems. “I always was a Hog guy and now I can say I’m an ETC Hog guy,” he states with pride. As a senior lighting designer, focusing on special and live events for Burbank-based Radiance Lightworks, he has designed or programmed on a...
