Fall is in the air in Croton-on-Hudson, NY, and the annual Great Jack O’Lantern Blaze event is underway…with thousands of pumpkins powered by a Gio console.
SPOTLIGHT (16)
Downplaying a forty-year career that featured tours with Pink Floyd and a string of Spielberg movies, Brian Lukas calls himself “just a lighting guy.”
A panel of top Eos programmers convened at ETC’s CUE conference for an evening of live-programming war stories, show file strategies and cat memes.
The entertainment industry abounds with “right place at the right time” anecdotes, and lighting designer Tom Beck is the first to admit that he caught a lucky break early in his career.
Tony Kushner’s multi-award-winning play, Angels in America recently made a triumphant return to the National Theatre in London, marking 25 years since its UK debut. In this post, Dan Murfin, lighting control manager for the National, talks us through the unusual shared control system behind this...
When the British band Supertramp stopped touring in 1980, they left a legacy more enduring than sold-out arenas and platinum albums on the office wall.
Rob Fritz is delighted with ETC’s recent union with High End Systems. “I always was a Hog guy and now I can say I’m an ETC Hog guy,” he states with pride. As a senior lighting designer, focusing on special and live events for Burbank-based Radiance Lightworks, he has designed or programmed on a...
In 1963 the Beatles invaded America, a gallon of gas cost 25 cents and Acey Decy Lighting opened for business in Hollywood, CA. Founded by Cliff and Susan Renfro while Cliff was a gaffer at Paramount Pictures, the company supplied lighting and grip equipment to The Merv Griffin Show, The People’s...
Welcome to Eos on Broadway, where we take a look at the behind-the-scenes control that makes a large-scale show tick. In this installment, Eos programmer Scott Kearns Tusing talks about the controls work that went into bringing the musical Anastasia to Broadway.The production opened on April 24th...