With a dozen Tony nominations including ‘Best Musical’, The Outsiders is a true sensation on Broadway. Debuting at The Bernard Jacobs Theatre, the musical is based on S.E. Hinton’s classic novel and Francis Ford Coppola’s motion picture. The Tony nominated lighting design by Brian MacDevitt and...
SPOTLIGHT (3)
The Benjamin & Marian Schuster Performing Arts Center in Dayton, Ohio is a world-class venue hosting national and international touring entertainment. It is also the home of the Dayton Ballet, the Dayton Philharmonic, the Dayton Opera, and numerous local productions. Dayton Live, the organization...
In the winter of 1975, a planning committee began forming the first-ever Illinois High School Theatre Festival. This state-wide festival has been bringing students and teachers together from around the state for this non-competitive event ever since. The 2024 festival featured a production of She...
Based in Irving, Texas, Inspire Solutions is a service event, creative, and digital production company serving many clients, ranging from local, regional, and even international touring to corporate events and beyond. Inspire Solutions’ National Director of Lighting for Show and Event Services,...
There is no off-season for sports coverage, just a constant competition to be the best.
Every venue in need of new lighting comes with a unique set of challenges and opportunities. This is especially true for churches, spaces that require special attention to accessibility, consistency, and visual simplicity. ETC sat down with Chris Rynne, OCS Lighting + Control’s Director of...
The Metropolitan Opera House at Lincoln Center is an iconic performing arts venue and has been a New York City cultural landmark for over a century. Home to the world’s top tier operatic performances, the venue recently upgraded their lighting plot with High End Systems Halcyon Gold and Platinum...
“I started Preston Productions with an ETC Ion, a few thousand dollars and a credit card,” Justin Preston says when we meet with him in the unlikely setting of downtown Los Angeles.
Riverside Theatre’s lighting supervisor, Will Gibbons-Brown, recently found himself in the middle of every lighting designer’s most commonly recurring nightmare: he had 48 hours to light a musical from scratch. With only two days until previews for the first show of the season, the production...