For students interested in film, storytelling and fashion, VIA University College in Aarhus, Denmark is an international hub. VIA’s department of Film & Transmedia houses the professional bachelor program Multiplatform Storytelling and Production. Technical Coordinator Thomas Erland Pedersen was...
Eos (4)
In this recurring series, Nick Gonsman of ETC NYC sheds light on aspects of the theory and practice of entertainment lighting control. Today’s topic: Display Focus, Control Tabs and Magic Sheets.
A panel of top Eos programmers convened at ETC’s CUE conference for an evening of live-programming war stories, show file strategies and cat memes.
There are moments in theatrical lighting when artistic vision is perfectly supported by current technology.
Tony Kushner’s multi-award-winning play, Angels in America recently made a triumphant return to the National Theatre in London, marking 25 years since its UK debut. In this post, Dan Murfin, lighting control manager for the National, talks us through the unusual shared control system behind this...
This is the first post in a series of articles on Open Sound Control (OSC) written by field service engineer and programmer Sam Smallman.
In this recurring series, Nick Gonsman of ETC NYC sheds light on aspects of the theory and practice of entertainment lighting control. Today’s topic: Cue transitions in a mixed-rig world.
This month is a particularly busy and exciting one for ETC in Italy. Let’s take a look at what’s happening.
New York based programmer Zak Al-Alami is the Lighting Director at Jazz at Lincoln Center and Arc3 Design. He recently stopped by the ETC video studio to talk us through his process of busking for concerts and other live performances.